Why a book by Vincenzo Cerami within a blog management? Because this is a book about work, work as a writer. There are books that speak of aesthetics, art, and inspiration that will make you timid, you finally block in dealing with the writing as work. Others will get the same negative result by telling you how to become a snob to do with making you feel writers, in fact, abysmal passing distance between you and the now acclaimed successful writer who decides di parlare ai suoi discepoli.
Questo libro “Consigli ad un giovane scrittore. Narrativa, cinema, teatro, radio” di Vincenzo Cerami (Garzanti, 2002) in realtà è un libro sul mestiere dello scrittore, molto pragmatico, uno dei pochi che io abbia letto, con un taglio, lasciatemi questa provocazione, “manageriale”. Manageriale inteso come “tecnologia”. Cerami, infatti, ci porta nel mondo della scrittura in modo chiaro, senza fronzoli. Si coglie l’odore del “sangue e sudore” che contraddistingue il lavoro dello scrittore nella sua accezione più artigianale.
Artisans of writing that are based on the five percent of creative imagination, work for the remainder of the plot novantacinquepercento the construction, renovation, repair and fight with every single word to turn that into something concrete cinquepercento.
This makes the less glamorous work of the writer? On the contrary, that is why I consider this book essential for anyone wishing to address the world of writing in a rigorous way.
With a continuous return to the world of literature, theater, film and radio, Vincent Cerami will accompany us in becoming, if not good writers, readers will surely remember. Maybe we will expose that liked best seller for all of our office but we left that feeling of having needlessly spent money and time to read it.
example? The views of the writer, first or third person? Be careful because this is the first big stylistic difference of the system of a text. The first person, much used in modern literature, psychology, introspection can bring out the inner world of your character at the expense of overview. Think of the third person used by the great writers of the nineteenth century, the frescoes spanning epic choral portrait, the passing of the seasons and ages, cultural and social movements. This is an example of a tool of the trade that you can put in your mailbox by reading this book.
another example, there has always been a little 'fear of the word "metonymy"; you have given the list of rhetorical figures handled with great skill by some Masons of literature? Well, think about the most trivial of yellow television broadcast in prime time on any general channel on television. The main character fights with someone who threatens to kill, the two leave the scene change. What is metonymy? It 's the promise of something, the fight with death threat, will certainly a later development in the course of the show, this will be something in the mind of the spectator who will expect something to happen throughout history. Simple no?
Why read it:
is not an act of love for the art itself, there is talk of internal voices that we wake up at night and force you to write under the leading voice of a spirit. Here we talk about work and method where the concept of passion is not associated with the concept di “scrittori si nasce” ma a quello di fatica, impegno, costanza, lavoro e ancora lavoro. Tutto qui.
“Consigli ad un giovane scrittore. Narrativa, cinema, teatro, radio” , Vincenzo Cerami (Garzanti, 2002)
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